vrijdag 25 februari 2011

This comes from Simon Leng's book and is too darn funny.

It's where George was on tour with Delaney, Bonnie & Friends, 1969.



Besides learning how to play slide guitar from Dave Mason and Delaney Bramlett there was time for Rock & Roll games and for George to let his hair hang down and live up to his prankster reputation.

His victim, Delaney Bramlett explains;

We were in this pub, the bar was all locked up with the grille. George said "I'll just break it, we'll just pay for the trouble'

The cops came in and called the landlord. He just laughed and said "Let them have it, as long as they pay for it". So we had a party, Tony Ashton was playing piano and we were singing, running in circles and throwing pies, you know, food fights. It was the damnedest thing you've ever seen.

George's security guy came in and said "It's time to go". I was heading for the door when George said "Wait a second, I think you got something on your pants".

So I turned around and then he tore my pants off my body.

I didn't have any underwear on, I was naked as a jaybird. They all set off running and laughing, jumped on the bus and took off.

I was running up the street after them, naked.

George stuck his head out the bus window shouting "You'll never catch us".

I finally caught them and jumped on and just as I caught them, the bus stopped at the hotel. The good times George remembered from the Beatles early days had returned and he liked being part of a tight-knit group of friends.

donderdag 17 februari 2011

George Harrison had the privilege of having a lot of quality musicians playing on his albums. People who were or became friends of George’s.

George however also played as a guest on a large number of songs by others.
On this blog I want to pay attention to that part of George’s work.

Within the community of Harrison fans most of these collaborations are known, yet what I experience on forums is that there are still songs which are not well known.

So I want to start with some of those less known.

Sour Milk Sea - Jackie Lomax


Yes the song itself is known from George. This version by Jackie Lomax was George’s first ‘give away’.

Jackie Lomax was one of George's friends from Liverpool and just like The Beatles performed in Germany in the early 1960’s within the Merseyband “The Undertakers” and saw The Beatles play in Hamburg. In the mix 60’s Jackie formed a new band called “The Lomax Alliance” and tried to find the way in the USA against the advice of Brian Epstein who told Jackie that he would be better off going solo.

Jackie Lomax sang backing vocals on “Dear Prudence” and became one of the first artists to be signed on to the Apple label. One of the songs on the 1968 Harrison produced album Jackie recorded was a song George had ‘on a shelve’.

On the song Jackie finds himself surrounded by Eric Clapton, Paul McCartney, Ringo Starr, Nicky Hopkins and George Harrison. Not so bad for a first solo single record.

It's quite a heavy song with strong electric guitars

George wrote the song in Rishikesh, India when The Beatles were with the Maharishi for the meditation course. Sour Milk Sea is about the benefits of meditation, part of Living In The Spiritual World, an issue George wrote more songs about in the Beatles days, like Within You, Without You and The Inner Light.

In his book I Me Mine George says that he used Sour Milk Sea as the idea of “if you’re in the shit, don’t go moaning about it, do something about it”. The title comes from a picture from the Tantric Art called Sour Milk Sea – Kalladadi Samudra in Sanskrit – the origin and growth of Jambudvita, the central continent, surrounded by fish symbols, according to the geological theory of the evolution of organic life on earth. The appearance of fish marks the second stage.

Sour Milk Sea also was the first record where George and Eric exchanged guitar solos which in the years after would continue often on studio work, till the Cloud Nine album like the title song and If That’s What It Takes as well as on stage from The Concert For Bangla Desh till the Japan tour.

Jackie Lomax - vocals and guitars
George Harrison - guitars (2nd guitar solo)
Eric Clapton - guitar (1st guitar solo)
Paul McCartney - bass
Nicky Hopkins - piano
Ringo Starr - drums

You can hear the track here at YouTube

http://www.youtube.com/watch?v=KT7HMdUEBI4&feature=player_embedded

In I Me Mine George says that he never recorded the song, well memory is not the best quality of the four Beatles.

Here is a demo The Beatles recorded

http://www.youtube.com/watch?v=uFzNT4oxkL4&feature=related

zaterdag 12 februari 2011

George Harrison memorial in Hollywood Febr 25th 2011

George Harrison will be remembered at the annual "George Harrison Public Birthday Celebration" from 6 to 8 p.m. Feb. 25 at his Hollywood Walk of Fame Star at 1750 N. Vine Street, in front of the Capitol Records Tower in Hollywood. Admission is free.

Fans are invited to bring birthday cupcakes to share and flowers and candles to place at his star. Musicians are also encouraged to bring guitars and instruments and perform Harrison and Beatles tunes.

The event is sponsored by the Alliance for Survival peace group. For further information call 310-399-1000.

George Harrison legacy to be celebrated in Hollywood on his birthday - National Beatles | Examiner.com http://www.examiner.com/beatles-in-n...#ixzz1CyktPOBD

woensdag 16 december 2009

George's Gardeners

Here are a few stories from gardeners;

A Man With A Truly Big Heart
by Konrad Engbers

The man who founded Engbers Garden Centre has told how George Harrison helped him to establish the business in its early days.

Konrad Engbers recalls how George visited the centre just after he started. “He came in to see me and asked how things were. I told him it was a little slow and he said ‘I’ll give it a little push for you’. He then bought almost every tree I had in stock and first thing the next day a motorcycle courier turned up with payment.

“Ever since then he was one of my most loyal and regular customers.”

Konrad, aged 79, sold the business two years ago but has never forgotten how George helped him on his way.

They first met when he arrived at Konrad’s original nursery near Abingdon in the late 60s.

“He had called in to another nursery just along the road from mine,” said Konrad. “The owner there told him he didn’t serve hippies and to clear off. I had no idea who he was but we got talking and he began to visit regularly.

“There was a small hut in the nursery that I had converted into a bar. We used to sit together and enjoy a couple of drinks. I remember one particular occasion when he played his guitar there for me.”

And George would walk down the hill from Friar Park to the market where Konrad ran a stall. “He would wait in the queue, take his turn and never expected any preferential treatment. One day he asked me up to his garden for advice on some trees that were dying. After that, he regularly asked for my advice on any gardening matters.

“One Christmas Eve he sent a message down to the stall inviting me to Friar Park for a drink with his then wife, Patti . And on another occasion he took me over to the Catherine Wheel for lunch.”

When Konrad had problems getting planning permission for his nursery at Shiplake he had lots of support from many people, including George.

George continued to visit Engbers and, Konrad said, would sit in the coffee shop in his dirty wellies talking about herbs and Hare Krishna, herbal tea and plants. Nobody would recognise him.

But it was for the support that George gave him that Konrad remembers the star most.

He said: “He was such a kind man with no airs and graces — a man with a truly big heart.”

This is from George Robb (that is his real name)

A Generous Man

George Harrison’s former stonemason has been fondly remembering the man he knew as a ‘generous and intelligent’ man who was deeply affected by the death of his former Beatles colleague John Lennon.

Speaking at his home in Oxford, George Robb, aged 81, told the Standard: “I knew George as an employer and there was never anything I could say against him.

“He was very good to me — a very generous man.”

“I remember the first Christmas I worked for him, and I was in a club down the road when someone told me there was a taxi outside for me.

“I went outside and George had sent me a hamper from Harrods all the way from London in a taxi!”

Mr. Robb was first invited to work on Friar Park in 1980 and he was awestruck at the beauty of the place.

“When I first went to Friar Park, I was stunned because it was such a beautiful, beautiful place, and I couldn’t believe that one person was undertaking the work he was going to spend on it, because it was a monumental job.

“I worked on the main house, the gardener’s lodge, the middle lodge and the front lodge during my years there, as well as the gardens and maintaining the lakes, which are probably two or three acres.

“George literally put millions of pounds into the place over the years, and I don’t think he would like it to be opened to the public, because he was always such a private man.

“I have worked all over the world but Friar Park is one of the most amazing buildings I have ever seen.”

Although Mr. Robb was always aware of his role as one of Harrison’s employees, he was very close to the family.

“When Dhani was learning to speak, George insisted that he called him Daddy George and me Stonemason George so that he didn’t get confused.

“He was an adventurous lad who loved climbing on the scaffolding, and he’d be up there with me, 30 or 40 feet off the ground quite happily enjoying himself.

“George himself was a generous and intelligent man who suffered no fools, and he was always very private. He used to enjoy a drink at the Row Barge pub in Henley but he didn’t go into the town as much after John Lennon was shot.”

Mr. Robb’s wife, Mina, added: “That really shook him — he used to say that if he landed after a flight, and came out onto the steps of the plane, he would be wondering which person might have a gun.”

woensdag 2 december 2009

Message from Olivia and Dhani

Chris Carter, host of "Chris Carter's 'Breakfast With the Beatles," got a message from Olivia Harrison for the anniversary of George Harrison's passing. It read,

Thank you Chris and each one of you for remembering George today. The love we feel for him grows and grows.

I think of George and a million wonderful things flood my mind and heart. And a million things in the world remind me of him, from a leaf blowing across the sky to hum of a guitar string.

God bless us all.

Send your warm loving thoughts to all the people in the spiritual sky and your kind actions to the people here in the material world, especially those in need.

Love from Olivia and Dhani

zondag 1 november 2009

Jim Keltner interview

I always love how people talk about George.

This is Jim Keltner, the drummer who has played with George since the early 70's.

It just hurts so bad to know that he's not going to be coming around anymore and calling. I want to hear that beautiful, soft accent. Forget his singing, I mean, I used to just love to just listen to him talk. And all the funny stories about him recently about being the quiet Beatle - he was the most talkative person I know. He didn't stop talking.

But the thing that was beautiful about George was that he always had something to say. I used to see people get their feelings hurt being around him. It was almost as if he couldn't not tell the truth.

What brought you two together?

George always loved Ry Cooder. Ry was a huge influence on him. It was the musical connection, I think, because he used to always talk about Ry and his music to me when we first met. He was also Bob Dylan's biggest fan. He could quote the lyrics to practically any Dylan song that you came up with. So I think that was a good, solid connection between the two of us - my association with Bob and Ry. And then, of course, when I started playing with John Lennon, that went a long way, too - because to describe George's relationship with John is to say that John was truly his big brother. Now I've heard Paul say he felt like George was his little baby brother. And that was very touching to hear that just recently. But I know that in fact John was older than both of them, and John was kind of the big brother to the whole deal. George was very, very heavily influenced by John, all of John's thinking and the way John did things in the world, and the way he handled his Beatledom, you know. I think that George was very affected by that. I got to have the best of all of that by being friends with both of them, and it's just been a tremendous ride. I can't ever describe properly what it's like to have been so close with all those guys. With George there was a closeness, like really, truly a brother. I mean, that's such a cliché.

Was it meaningful for you to have spent some time with him at the end of his life?

Oh, God, you can't imagine. My whole deal with George was that I never gave up for a minute, not even till the very last second. We saw him on Sunday, and he died on Thursday, and I didn't believe it. When we left him that day, we were walking three feet off the ground as we got to the car. We had been talking and laughing with him a little bit, and he seemed to have rallied and had his strength, and it was just so wonderful. God, it was just fantastic: "Hi, Jimmy." It just was such a great gift. That's what I'm holding onto. Eric Idle was there one night. When Eric walked in, George just beamed. He started laughing, and he raised his hand to Eric and held his hand, and was actually laughing. I will never forget that moment in my entire life. He was such a huge Eric Idle fan. Just the thought of Eric made him laugh. He was always quoting Eric. And so to see Eric walk in and have George just brighten up like that and start laughing, it was just fantastic.

He seemed to die as he lived, with remarkable dignity.

The guy just had a way of handling everything so beautifully. He was deep with his religion, with his spiritual side, and even though we don't share the same religion, I believe that God must be blessing him immensely right now. And he never changed, he never wavered. He was always talking about how great one of these days it's going to be to get out of these old bodies.

Anything else you'd like to say about him?

To me he was just George. He was just George, my beautiful, beautiful friend, who I kind of took for granted over the years. Then, when he passed on, I was shocked to see the whole world eulogizing him over and over. I never thought of him as this icon. He wasn't any of those things. John and George were both like that. Here I come into their lives, and I'm going, "Oh, man, hey, what was this like" and "What was that like?" Beatle this, Beatle that, and they wouldn't have it, you know. They finally instilled upon me that, hey, Jimmy, you know, we're not Beatles anymore. They were trying to break that, bust that in two, so that they could move on and do something else.

maandag 12 oktober 2009

The Hold Up

This song is not well known maybe to the audience so time to pay some attention to it.

The song is the direct result of a dinner at Al Aronowitz, a famous journalist who had interviewed George about All Things Must Pass and is even featured on "Out Of The Blue". Al was David Bromberg's manager.

At some point, David saw a guitar and started playing a vaguely Hispanic guitar pattern. George could'nt resist getting involved and within 30 minutes the song just came out.

They wrote the lyrics together which were linked to "Taxman" and the great analist Simon Leng in his book Bromberg tells how he does not really remember who wrote what part but did say that "getting the nose wet' is very English and that it was very George to say "I'll put a bullit right through your best liver"

Bromberg tells "He was a very thoughtful player. I never saw him do any improvisation at all. In our interactions with me, he worked in a way I'd never seen anyone else work. He worked on the slide solo in the studio, he sat in the control booth, plugged the guitar into the board, and he had the tape played over and over. He worked out exactly what he was going to play and laid it down.

Bromberg and George met during Bob Dylan's Self Portrait sessions. By that time George already knew about David's work from Bob. David is probably also the one who inspired George to pick up the dobro.

Bromberg: "I met him at Columbia Studios and he sang me a song I wrote and told me that Bob had taught it to him. It floored me"



Here is the lyrics and sorry for the big ones


STICK UP YOUR HANDS, YOU MUST STAND AND DELIVER,
MY STOMACH'S EMPTY, MY CLOTHES ARE ALL THORN.
OPEN YOUR HEARTS TO THE JOYS OF THE GIVER,
ALL OF YOUR POCKETS ARE TERRIBLY WORN.

THIS IS A HOLDUP, NO WAY TO MISTAKE IT,
WE'RE MEN OF VIOLENCE SO DON'T FOOL AROUND.
IF YOU HAVE MONEY, WE'RE GOING TO TAKE IT,
YOU'LL TRY AND STOP US, YOU'LL END UNDERGROUND.

WHEN WE HAVE YOUR MONEY, WE'LL RIDE TOWARDS THE SUNSET.
AT ROSA'S CANTEEN WE'LL STOP AT THE DOOR.
WE'LL SPEND ALL YOUR MONEY JUST GETTING THE NOSE WET,
TOMORROW EVENING WE'LL BE BACK FOR MORE.

SO HAND US THE MONEY, DON'T STAND THERE AND SHIVER,
TAX TIME IS COMING, GIVE ALMS TO THE POOR.
OR I´LL PUT A BULLET RIGHT THROUGH YOUR BEST LIVER,
WEALTH IS DISEASE AND I AM THE CURE.

WHEN WE HAVE YOUR MONEY, WE'LL RIDE TOWARDS THE SUNSET.
AT ROSA'S CANTEEN WE'LL STOP AT THE DOOR.
WE'LL SPEND ALL YOUR MONEY JUST GETTING THE NOSE WET,
TOMORROW EVENING WE'LL BE BACK FOR MORE.

SO HAND US THE MONEY, DON'T STAND THERE AND SHIVER,
TAX TIME IS COMING, GIVE ALMS TO THE POOR.
OR I´LL PUT A BULLET RIGHT THROUGH YOUR BEST LIVER,
WEALTH IS DISEASE AND I AM THE CURE,
I AM THE CURE,
I AM THE CURE,
I AM THE....